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Understanding the Afghans Rule number one: They're not like us. by Ann Marlowe 7/21/2007, Volume 012, Issue 43
A Thousand Splendid Suns
by Khaled Hosseini
Riverhead, 384 pp., $25.95
As you emerge, moist-eyed, from this riveting story of male brutality and female endurance, you may find yourself feeling that you've leapfrogged a massive cultural gap, landing in a warm mushy pile of empathy with two Afghan women whose circumstances could not be more different from yours. Sadly, this feeling is a delusion. You haven't crossed an enormous gap; you've read a very well-crafted novel that makes Afghan culture seem peculiarly like ours.
Khaled Hosseini is largely imagining a culture he lived in for eight of his first 11 years, and then revisited in 2003. Telling his story from the viewpoint of two women--one a barely educated provincial, one a middle-class Kabul girl, who end up as co-wives of the same brute--Hosseini offers descriptions of Afghan housecleaning, food preparation, and baby care that belie his sex and show his skill as a storyteller. His tale is leavened with Dari words, but it is an American's account, and A Thousand Splendid Suns reinforces a message Westerners want to believe: Afghan society is basically like ours, but for the flaw of gender inequality. And Afghans reason as we do, they just start with some bad ideas about women's place.
Hosseini's first book, the four-million-selling The Kite Runner, was about boys and men, but the fixation of post-Taliban writing on Afghanistan--especially the most commercially successful writing--is women's tribulations. Asne Seierstad's heavyhanded The Bookseller of Kabul has sold impressively since it was published in 2003. Ridiculous propaganda ...
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