A Girl's Own Story
Coming of age in the polio era.
Aug 6, 2007, Vol. 12, No. 44 • By ERIN MONTGOMERY
Body casts, wheelchairs, and a fierce longing to overcome the ravages of a crippling virus are hardly the stuff of a carefree, happy childhood. But they were part of the everyday for Susan Richards Shreve, who made the best of her two-year stay as a patient at Warm Springs--the Georgia sanitarium founded by Franklin D. Roosevelt for the treatment and rehabilitation of "polios." The most famous polio in history, FDR would be moved by what Shreve has to say about the time she spent at his revolutionary hospital.
Shreve contracted polio as a baby in Toledo. She had only residual traces of muscle on the right side of her body, especially in her leg, and was unable to walk after the virus disappeared. Thanks to her attentive mother, who "devised a military regimen of exercises to coax those muscles back to life," Shreve was able to walk again with the aid of braces and crutches. Nevertheless, an orthopedist recommended she go to Warm Springs for surgery.
And so she arrived there in 1950, the summer she turned 11--before the public testing of the Salk vaccine in 1954 would lead to the eventual closing of Warm Springs as a polio hospital. (Today, the Roosevelt Warm Springs Institute for Rehabilitation is a state-run center for victims of stroke, brain, and spinal cord injuries, and severe arthritis.)
Unfortunately, the initial surgery on Shreve's right leg would stunt its growth, leaving it two-and-a-half inches shorter than her left. She also underwent an ankle "stabilization" surgery, muscle transplant, and had her foot broken and re-formed into a straight, flat foot that is still crippled today, but flat enough for walking.
Shreve never considered herself severely handicapped, and credits that to her mother's insistence on physical therapy both before and after her years at Warm Springs. Now a mother and grandmother herself, the 68-year-old Shreve has come a long way: an English professor at George Mason University outside Washington, a former co-chair and president of the PEN/Faulkner Foundation, and the author of 13 published novels. Interestingly, it was one of Shreve's unpublished novels that helped form the basis of Warm Springs: At 18, she wrote Wooden and Wicker, which is loosely based on her experiences at Warm Springs, its title a nod to the old-fashioned wheelchair she rode in as a patient there. (She didn't really need a wheelchair, but in true adolescent fashion, asked for one so she wouldn't be different from the other patients.)
"Were it not for the novel I wrote in the wake of leaving, those two years in Warm Springs might have been simply among the inadvertent losses I have had in my life. But I remember the ward and the feeling of friendship in it, the smell and sound of it, and the faces of those girls," Shreve writes. Wooden and Wicker jogged her memory, and the result is a literary treat: an unforgettable memoir rich with extraordinary detail and a setting that comes to life.
Shreve's memoir provides a brief history of polio and its eventual eradication, considered "the first major public health success in the United States." It touches on Roosevelt's life, his own battle with polio, and his founding of Warm Springs. It is also a snapshot of the racial and social tensions that pervaded the early 1950s. But more than that, it captures the existence of a precocious, imaginative girl. As Shreve writes,
Shreve did all four with gusto. There were Warm Springs "fight songs" to keep up morale, movie nights and big holiday dinners, late-night chats with roommates, and her first love--a half-paralyzed boy named Joey Buckley who dreamed of playing football at the University of Alabama. Good times abounded at Warm Springs, but interspersed among them are candid proclamations of desire--to live as ordinary a life as possible; homesickness; loneliness; and guilt--the latter emotion infusing Shreve's young life more than any other. She feels guilt for not being "as sick" as the other patients (her roommate Caroline is in a body cast) as well as guilt for "always getting sick" and disrupting the lives of her parents and her younger brother: