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Boot Camp for Journalists
The next best thing to being a war correspondent.
by Matt Labash
03/03/2003, Volume 008, Issue 24

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Woodstock, Virginia

WHENEVER JOURNALISTS get together over drinks, which is to say, whenever journalists get together, they tell war stories. But nothing can break a run-of-the-mill reporter's momentum faster than having to trade figurative war stories with an actual war correspondent, who has real ones. The latter breed, it seems, embodies all the stereotypes of regular journalists, only magnified: They are more fearless and fatalistic, heavier drinkers and worse dressers.

It's small surprise that at some point most of us would like to impersonate one. For as Vietnam correspondent Malcolm Browne wrote of the psychopathology of war, it "eventually reduces even hardened veterans to vomiting funk, but nevertheless radiates a deceptively beautiful light that draws the likes of Ernie Pyle into the flame." Few, if any of us, could ever follow such a writer as Ernie Pyle (nor would we want to, since he did, after all, get shot dead after moving one too many times to the front in World War II). But as we edge closer to conflict with Iraq, even those like me not entirely convinced of the war's necessity are still inexplicably drawn. Getting in theater would mean a chance to use terms like "in theater," to tell dramatic stories, and perhaps to act manfully--assuming my wife lets me go.

After Afghanistan, the Pentagon promised to increase access by "embedding" hundreds of reporters fulltime in military units. But even those who are selected for this might not get to the fight. In Desert Storm, what with restrictive media pools

and a choke chain continuously yanked by military public affairs officers, only 10 percent of reporters in theater actually made it into battle.

So as journalists gird themselves for the sequel to Desert Storm, we are being bombarded by another type of faux war story: filed from war school. War school has many of the upsides of war without all the drawbacks. It allows you to feel warlike while brushing up against military types. But no one tries to kill you. To find out how to preserve our hides should we get to the fight, scores of us have flocked to the frost-covered hills of the Massanutten Military Academy in Virginia's Shenandoah Valley, where former British Royal Marines commandos from the U.K.-based private firm Centurion Risk Assessment Services charge $2,300 for a five-day course showing reporters how blissfully ignorant they are about war.

Since 1995, Centurion has shown over 10,000 reporters everything from how to take appropriate cover in a mortar attack to how to treat shrapnel wounds complete with lifelike polyurethane viscera and spurting blood. The Pentagon began a similar media boot camp last fall. Their version is as much about acclimating reporters to actually living with a military unit as it is about teaching survival essentials, so journalists have to wake up at dawn's crack and haul rucksacks on five-mile marches. As a result, the softer British version is known by some as "wussy war school," though in fairness to us, our Ramada Inn didn't offer room service or pay-per-view, and the pool was frozen over.


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