IRONICALLY ENOUGH, aspiring conservative documentarian Evan Coyne Maloney received his inspiration from Michael Moore, the left-wing firebrand responsible for the anti-gun polemic Bowling for Columbine and the anti-Bush screed Fahrenheit 9/11. This isn't to say that Moore inspired him figuratively: Maloney literally stopped Moore on the street, interviewed him, and left with some helpful knowledge. When Maloney confronted the Oscar winner about the liberal slant of most Hollywood-produced documentaries, Moore responded thusly:

"I agree with you. I think this art form should be open to people of all political persuasions and not just be people who are liberal or left of center or whatever. . . . You want to encourage all voices to be heard because that's the best way to have, to come up with the best decisions in a free society. You don't want just one voice or one stream of thought being put out there. . . . Make your movies and then the people will respond, or not respond, to them."

Taking this advice to heart, Maloney posted the video of this exchange on his blog in 2003 along with a note that read "I have not yet received payment for the services I have rendered to the [vast right wing] conspiracy. I'll assume this is merely a clerical error on your part and will expect remuneration shortly." This tongue-in-cheek plea for cash was not entirely sarcastic and his fishing expedition landed a nice haul--Stuart Browning, the cofounder of Embarcadero Technologies (a software company that was

"He sort of threw down the gauntlet," Browning said of Maloney. "Hey, you know, why can't we make these sorts of things too? Why can't conservatives have a voice in this art form too?" Intrigued by Maloney's appeal, Browning then "sent him an email and said 'what would it cost, and what kind of projects are you interested in?' That's how we met."

"He was the guy that put up the first dollars to get" Indoctrinate U going, Maloney says in an interview. "He, and I, and another gentleman, Blaine Greenberg, decided to start a production company after I was able to convince them that there was a feature-length film in analyzing what is going on on college campuses." Browning was interested. "At that point I was pretty well versed on the topic, having read Dinesh D'Souza's books, and Bloom, Closing of the American Mind. I had read all the literature and was very open to the idea," Browning said, adding "And [Evan] looked like a college student! Even though he'd been out of college for a while, he looked the ideal guy to play the part."

WITH FUNDING IN PLACE, Maloney set out on his quest to gather material for the documentary. "We were looking for specific cases that were fairly well-documented that would show different examples of people having their free speech or free thought rights trampled on campus," Maloney says.

There was no shortage of topics. The free-wheeling film first documents the rise of the "campus free speech movement" in the 1960s and '70s, then cuts to examples of modern-day conservatives being shouted down and otherwise intimidated on college campuses. Ward Connerly is verbally assaulted for daring to disagree with campus orthodoxy on the issue of affirmative action and black professors like John McWhorter, formerly of UC-Berkeley, Carol Swain of Vanderbilt University's Law School, and Temple's Lewis Gordon all express their dismay with the current state of the academy, and the suppression of intellectual diversity therein.