A faltering economy can't stop the fabulousness.
Mar 9, 2009, Vol. 14, No. 24 • By SAMANTHA SAULT
On the surface, Fashion Week seemed to be much the same as it was in September when the recession was just getting underway. But the gleam of the tents in Bryant Park was dimmer, and though at least 100 designers showed their collections, some major designers (Vera Wang, Betsey Johnson) opted out of the $50,000-plus runway shows in favor of intimate presentations in their showrooms. Many showed collections at other venues outside the tents, or only online.
Even Marc Jacobs, one of the most sought-after shows of the season, slashed his guest list in half and canceled his after-party. (THE WEEKLY STANDARD wasn't invited.) And a number of seats at nearly every show--including coveted front row spots--stayed empty until the final minutes before showtime when PR reps would frantically fill them with guests from the standing section.
Are designers less willing to pay celebrities with cash or clothing to sit down in front? Are fewer publications willing to pay the costs to send reporters to the shows? Maybe the public is less interested altogether in runway fashion?
But the show did go on. Though BlackBerry didn't give away free phones, as it did last season, McDonald's provided free McCafé lattes and mochas all day, every day. (Much to everyone's relief there were no golden arches on top of the tents.) And while many designers canceled lavish dinners and after-parties, some did not. La Perla held a Valentine's Day party at the Chelsea hotspot 1Oak with a Veuve open bar and tableau of models lounging in expensive lingerie. The American Express Skybox--where guests paid $150 per show or $750 per day to mingle with designers above the runways--sold out, just as it did in September. And though the swag bags were not nearly as extravagant as in years past, reporters were able to snag the occasional candle or T-shirt from an empty chair.
The clothes were more cheerful. Mixed with winter neutrals were explosions of bright colors, loud prints, and 1980s-inspired shapes. Narciso Rodriguez's delectable color palette included "citrine," "highlighter pink," and "ultra purple," and his skin-tight dresses and camo-print skinny pants pleased the packed house. Elie Tahari showed black and white tweed jackets along with floral silk dresses to champagne-swilling guests. Many collections featured rich leather or fur, impractical bandage dresses with zippers and cutouts, and colorful blazers with shoulder pads, as well as towering heels that caused models to stumble.
Designers did find ways to cut costs but still produce quality collections, hoping that people will buy better quality even if they shop less.
"I started to ask, 'How much? How much? How much?' every time I'd get a yard of fabric," designer Reem Acra told me at her showroom presentation on Fifth Avenue. "All the ready-to-wear I made with one piece of fabric--no lining, construction very minimal--so that I cut down on the prices. But there was not one ounce of any compromise, not one ounce."
Acra is known for her opulent red-carpet frocks; she designed Jill Biden's red inaugural gown. Her fall couture silk gowns in shades of purple, blue, and gold, along with ready-to-wear dresses and a new jewelry line, did not disappoint the fashionistas: "This is the most beautiful collection ever," said a woman identified as a "friend of Reem's" to no one in particular. (Acra did admit that she didn't pay attention to price when designing her couture gowns.)
Of course, one question, above all, hovered over the tents: Who will buy expensive clothes now? The industry is excited about first lady, and Vogue cover girl, Michelle Obama, and her sartorial choices--and everybody is hopeful that she will inspire women to shop.
"I think she's dressing fabulous. She's supporting some different, young designers, which is so wonderful," said the 21-year-old Project Runway winner Christian Siriano. Designers are