The MagazineEchoes of AthensHow the image of ancient Greece is reflected today.May 3, 2010, Vol. 15, No. 31
• By DAVID WHARTON
It’s All Greek To Me ![]() From Homer to the Hippocratic Oath, How Ancient Greece ‘How perfectly obscure!” my late Aunt Patty remarked when I told her I was studying Thucydides. Aunt Patty was no philistine; she read the New York Times and the New Yorker and didn’t mind telling you so. Thus her judgment—that ancient Greece’s greatest historian was rather outré—shows just how shallowly the Greeks have penetrated American middlebrow culture. Not that the ancient world has been keeping a low profile at the lowbrow end of things. Movies like 300, Troy, and now the remade (3-D!) Clash of the Titans, along with cable extravaganzas such as HBO’s Rome and Starz’s Spartacus, fill the pop-culture sandals that Victor Mature once wore in Demetrius and the Gladiators or Androcles and the Lion. But the literary pickings are slim for a sheer novice interested in ancient Greece as something more than a CGI-generated movie set for monsters, balletic gore, or anachronistic melodrama. And since classics Ph.D.s don’t get tenure for writing popular and interesting books, it’s left to others to enter the breach. Charlotte Higgins does so effectively with this slim and highly readable volume, an attempt (in her words) to “turn . . . our minds back to ancient Greece, as a way better to grasp our own world, our own hearts.” Higgins, an arts writer, editor, and blogger for the Guardian who studied classics at Balliol College, Oxford, calls her book
Indeed. In nine chatty chapters Higgins touches on Greece’s main historical and cultural figures, from Homer through Aristotle, briskly portioning out summaries, commentary, and tasty quotations from the ancient texts. It’s no criticism to say that most of Higgins’s favorite anecdotes from Herodotus, similes from Homer, or stanzas from Sappho are old chestnuts in the classics world. They’re chestnuts precisely because they’re full of rich Greeky goodness, and for readers who haven’t experienced them before, they will burst with all their original piquancy. Higgins serves them up with engaging verve; when she says she is physically incapable of restraining tears when reading about the doomed love of Hector and Andromache in the Iliad, you believe her. Her chapters reflect modern interests: There’s one on the origins of democracy, one on women, and one on the origins of science and medicine, as well as a chapter each on war, mortality, and love. Homer’s poems and Plato’s Republic each get treatments of their own. Organization tends to be associative, and each chapter is like a basket into which she tosses a lot of loosely connected material. Thus her chapter on democracy includes, among much else, a floor plan of the Parthenon, a plot summary of Aeschylus’ Oresteia, and an explanation of ancient rhetorical tricks (with good examples cribbed from the 2008 presidential elections). Somehow she pulls it all together into an easily digestible whole. Particularly welcome to me is her inclusion of the pre-Socratic philosophers in the chapter on the beginnings of Greek science, though she rightly reminds us that the Greeks had no word for, and no general conception of, what The Weekly Standard ArchivesBrowse 15 Years of the Weekly Standard
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