The Magazine

The Finlandian

The composer whose name and homeland were indistinguishable.

Mar 22, 2010, Vol. 15, No. 26 • By GEORGE B. STAUFFER
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Sibelius

The Finlandian

A Composer’s Life and the Awakening of Finland
by Glenda Dawn Goss
University of Chicago, 549 pp., $55

On a wintry day in January 1920, Alf Klingenberg, the recently appointed director of the newly formed Eastman School of Music in Rochester, offered Jean Sibelius a position as professor of composition. Klingenberg wanted to make a bold move that would mark the young school as a music conservatory of distinction, one with a European pedigree. Klingenberg explained to Sibelius that he would “teach composition to the up-and-coming geniuses in America.” At the same time he assured him that “the number of those will certainly not make your workload too heavy.”

Sibelius was 54 and at the peak of his fame. He had composed Finlandia, numerous symphonies, a greatly admired violin concerto, and many other works. He was known as the father of Finnish music and hailed in his homeland as a national hero. It was Sibelius, after all, who had helped to shape the culture of the emerging nation that had proclaimed its independence from Russia just three years before. His picture was displayed in homes, shops, and institutions throughout Finland. His music was performed throughout the world. Who could possibly be in a better position to put the Eastman School on America’s cultural map?

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