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9:15 AM, Jun 2, 2013 • By GEOFFREY NORMANTiger Woods shot a 44 on the front, 79 for the round, and finished 16 shots off the lead, yesterday, in the Memorial Tournament at Muirfield Village. Later, speaking the royal plural, Woods explained:
Read more... An underrated novel gets some overdue attention. Jun 10, 2013, Vol. 18, No. 37 • By JONATHAN LEAFHere’s a story of movie star vanity. In 1998, word appeared that Al Pacino had optioned the rights to Herman Wouk’s novel Marjorie Morningstar (1955). Sporadically over the next few years, reports came out linking the actor with various actresses who wished to play the title role of a woman, barely out of her teens, who becomes involved with a charismatic and charming but amoral and unreliable songwriter in his mid-thirties. Pacino was 58 at the time.
Read more... Christopher Caldwell learns the Russian word for ‘pain’ Jun 10, 2013, Vol. 18, No. 37 • By CHRISTOPHER CALDWELLAn older Ukrainian guy walks his dogs in the woods near my house. We talk a lot. The other day I was complaining about tendonitis in my ankle, which was causing me pain.
“Pain?” he said. “You call tendonitis ‘pain’?”
“What would you call it?” I said.
“Better to say . . . ‘discomfort.’ ”
Read more... The family of man seems to confuse its latest therapist. Jun 10, 2013, Vol. 18, No. 37 • By MICAH MATTIXMarilynne Robinson is afraid we are losing our “loyalty to democracy” in America, though her reasons for fearing this might (or might not) surprise you. Tribalism and austerity—a general lack of generosity—will kill America. Individuals are generous enough, she admits, but what is lacking is a generosity in our public discourse and public programs. This is the gist of her sometimes insightful, but too often frustratingly vague, collection of essays.
Read more... ‘Sink or swim with Ngo Dinh Diem.’Jun 10, 2013, Vol. 18, No. 37 • By CHARLES TRUEHEARTFifty years ago this coming All Saints’ Day, the United States government concluded its patronage of Ngo Dinh Diem by dispatching him from the presidency of South Vietnam. His removal, in a U.S.-countenanced Vietnamese military coup, might have been less dramatic had President Diem not perished, with his brother and svengali Ngo Dinh Nhu, at the hands of junior Vietnamese officers entrusted with their safe exfiltration.
Read more... From Israel, a transcendent vision of marriage.
Jun 10, 2013, Vol. 18, No. 37 • By JOHN PODHORETZThe “state of grace” is not, to put it mildly, a Jewish idea; in fact, save for Christ’s divinity, it may be the least Jewish concept in all of Christianity. So it is a fascinating irony that the first movie written and directed by an ultra-Orthodox Jewish filmmaker seems to embody the state of grace—albeit in an aesthetic way. I don’t know when I’ve ever seen a film as eerily perfect in tone and taste as Fill the Void.
Read more... Annals of the avant-garde in the Vieux Carré. Jun 10, 2013, Vol. 18, No. 37 • By BARTON SWAIMThe great thing about this account of the artists and intellectuals in and around New Orleans’s French Quarter during the 1920s is that it upends nearly every assumption commonly made about the American South—even the true ones. The early-20th-century South may have produced the odd isolated genius, but it did not generate anything of cultural distinction. True enough.
Read more... Sometimes Janet Malcolm gets it right, and sometimes not.Jun 3, 2013, Vol. 18, No. 36 • By PETER TONGUETTEIn his introduction to this new collection of essays by Janet Malcolm, Ian Frazier writes generously, if generically, that the book “brings together a wide range of pieces that display her unique skills.” By the time we have finished reading Forty-one False Starts, however, Frazier’s praise rings hollow.
Read more... A landmark in cinematic self-love.Jun 3, 2013, Vol. 18, No. 36 • By JOHN PODHORETZNot once, not twice, but three times in the course of the 86-minute running time of the extravagantly praised Frances Ha is the title character shown running through Manhattan. Once, we see her running with her best friend. Another time we see her running to find an ATM. Then we see her running while improvising dance moves.
Read more... Style and substance in the voice of John Henry Newman. Jun 3, 2013, Vol. 18, No. 36 • By EDWARD SHORTWhen John Henry Newman died in 1890, English papers around the world singled out different aspects of his life and work for praise or censure, but on one point they were unanimous. As the obituarist of the Colonies and India put it, “We question whether there is a living writer who had a command of the English tongue at once so eloquent and incisive, though often ironical.” The force of Newman’s style may have been universally acknowledged, but the content of the writing was rarely paid the attention it deserves.
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