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 8:08 AM, May 11, 2012 • By LIAM JULIAN“Joan Miró: The Ladder of Escape” is at the National Gallery of Art through August 12. The conceit of the exhibit is that Miró was no sequestered surrealist but an artist readily engaged with politics and society—“an artist of his times,” as a wall caption puts it. Visitors reading that caption might well wonder how Miró could be anything but of his “times,” for they surely were interesting ones.
As a young man he moved in 1920 from his home in Catalonia to a Paris staggering in the fumes of World War I. The Spanish Civil War forced him to stay away from Spain, and World War II forced him to return to it; he lived for decades under Franco’s rule. Were Miró’s art unaffected by the seismic world events he experienced so directly, it would have been astonishing.
Indeed, he acknowledged as much. In 1962 an interviewer posited that some of Miró’s paintings have “a kind of brutality and violence” to them, to which the artist responded that those paintings “mark the beginning of the cruel and difficult years the world lived through.” Miró called them his “savage paintings”—they were formed, he said, from his feelings about fleeing his country’s civil war.
So yes: There is absolutely political comment in the art on display in “The Ladder of Escape.” On the whole, though, there is relatively little of it, and probably not enough on which to base an exhibition (not that this or any showing of Miró’s work requires a “base”). Perhaps Miró was just temperamentally ill-suited for canvas pamphleteering. Despite his expressed desire to “assassinate painting,” he was never a doctrinaire surrealist, no pure revolutionary. What he really wanted, in the end, was to change painting—and that, of course, he did.
Liam Julian is managing editor of Policy Review.
A haunted vision of a people in extremis. Feb 20, 2012, Vol. 17, No. 22 • By SUSANNE KLINGENSTEINThe great tragedy of Yiddish literature is that, at the very moment when it was blossoming into modernity in all genres, its writers, audience, and cultural matrix were completely destroyed by the double knockout punch of German and Soviet anti-Semitism.
Read more... The old story: European politician gets in trouble, helps the Jews.Feb 13, 2012, Vol. 17, No. 21 • By SAM SCHULMAN
Read more... World War II was a close-run thing.Oct 10, 2011, Vol. 17, No. 04 • By AARON MACLEANHarry Butcher, an aide to General Eisenhower throughout his time as supreme commander in Europe, and gossipy diarist par excellence, reports the following remarks made by the mild-mannered Kansan on July 10, 1944:
Read more... World War Two and economic growthSep 12, 2011, Vol. 16, No. 48 • By ARTHUR HERMAN
As Washington waits for President Obama’s plan on how to revive the economy and pull us out of our 9 percent unemployment rut, a growing chorus on the left is calling for us to go to war—or at least the economic equivalent of war.
Read more... 8:18 AM, Jul 26, 2011 • By JEFFREY H. ANDERSON
How refreshing it is to see the actual lawmaking process finally proceeding — in the light of day — as the secretive closed-door meetings favored by this White House finally recede! This is how things are supposed to work in our republic.
Read more... The limits of endurance in enemy hands. Jun 20, 2011, Vol. 16, No. 38 • By NOEMIE EMERYUnbroken
A World War II Story of Survival, Resilience, and Redemption
by Laura Hillenbrand
Read more... 12:46 PM, Dec 1, 2010 • By JOHN NOONANOn June 6th, 1944, 1st Lt Dick Winters parachuted behind German lines, assembled a small strike team, and neutralized four enemy artillery pieces that were wreaking havoc on nearby Utah Beach. The Brecourt Manor Assault, as it was later dubbed, represented one of the most brilliant examples of small unit assault tactics in recent military history. Winters had no intelligence on the size of the enemy force holding the guns or the structure of the German defenses.
Read more... Why World War II was inevitable.10:45 AM, Nov 1, 2010 • By PHILIP TERZIANAmong Barbara Tuchman’s many sins as an historian was the notion, propagated in her popular volume The Guns of August (1962), that the Great Powers had more or less blundered into conflict in 1914, and that smarter diplomacy might well have prevented the Great War.
Read more... In the wilderness of mirrors, he who holds the last mirror wins.9:40 AM, Aug 3, 2010 • By GABRIEL SCHOENFELDSince last year, Hezbollah has been rounding up Lebanese who are believed to be spying for the state of Israel.
Read more... In the wilderness of mirrors, he who holds the last mirror wins.9:40 AM, Aug 3, 2010 • By GABRIEL SCHOENFELDSince last year, Hezbollah has been rounding up Lebanese who are believed to be spying for the state of Israel.
Read more... Allies in War, in Peace Friends.12:30 AM, Jul 4, 2010 • By JOSEPH LOCONTEThe celebration of American Independence has a way of illuminating the Anglo-American relationship, especially during times of war. Although July 4, 1776 marked the date when the American people dissolved "the political bands which have connected them" with Great Britain, July 4, 1940 signified just the opposite: the moment when the two great democracies solidified their “special relationship.” Seventy years ago, British prime minister Winston Churchill delivered a speech before the House of Commons that masterfully rebuked the United States for sitting on the sidelines while Britain stood alone to defend freedom against totalitarianism. Churchill’s insights are worth recalling during our own season of war, when the historic ties between the two nations seem frayed and in doubt.
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