May 12, 2008 • Vol. 13, No. 33 Download Now! (pdf)

 

COVER
A Hero's Life
by Ken Ringle

EDITORIAL
Right about Obama
by Matthew Continetti

SCRAPBOOK
Acknowledgments, imagined influence, etc.

ARTICLES
Disenfranchised Over There
by Hans A. von Spakovsky & Roman Buhler

Attack of the Pharmascolds
by David A. Shaywitz & Thomas P. Stossel

South Africa Plays Ball with Dictators
by Marian L. Tupy & James Kirchick

The Silent Scream of the Asparagus
by Wesley J. Smith

FEATURES
An Exceedingly Strange New Respect
by Noemie Emery

Just Like Us! Really?
by Robert Satloff

Advice for the Nuclear Abolitionists
by Henry Sokolski & Gary Schmitt

BOOKS & ARTS
Radical Revision
by Ronald Radosh

Out of This World
by Joseph Bottum

Balancing Act
by David Guaspari

Reverent Billy
by Loredana Vuoto

'Matrix' on Wheels
by John Podhoretz

CASUAL
Prom Night
by Matt Labash

CORRESPONDENCE
Tribes, McCainomics, and more

PARODY
Rev. Wright on the ancient Italians


« Chait Gets It | Main | The Company Obama Keeps »

Hollywood Goes to War

The New York Times ran a lengthy story this past Sunday on Hollywood’s latest effort to address the Iraq war, the bomb-to-be Stop Loss. The film stars Ryan Phillippe and deals with the tragic story of khoevemcpw3fwc c cmwpowmsmnedheidndccelalaslepfecnecmeclececwwpe – I'm sorry, I feel asleep at the keyboard. Anyway, I found this passage from the Times story revealing:

The film doesn't shy away from the story's visceral horror, showing one hospitalized soldier's burns and stumps in lengthy close-up. A drawn-out raid in a housing complex in Iraq is ear-shatteringly loud and look-away bloody.

"We shot the sequence in Morocco during Ramadan, which made me uncomfortable," Mr. Phillippe said in an e-mail message. "We were storming real homes and real neighborhoods, and at times I felt like a monster."

It would take a lot of pixels to tease out all the obtuseness in Phillippe's e-mail message, but here’s a start at what will hopefully become a productive national conversation on the imbecility of self-important Hollywood types.

I'm assuming Phillipe has a basic fact confused and that in truth he was not really "storming homes." Seeing how Phillippe is an actor, it's much more likely that he was pretending to storm homes. Although this is a minor distinction, it is a critical one, especially if you don't want to get shot while "storming homes.' The director yelling things like "Cut!" and "Action!" should have been Phillippe's first hint that the whole "home storming" thing wasn't what the rest of the world calls "real." The lighting and the cameras also could have helped clue him in as I don't believe such things accompany the typical soldier, even during Ramadan.

And what's with this "I felt like a monster" comment? Surely Phillippe isn't suggesting that the typical American soldier behaves as a monster. What else was Phillippe doing on that set? Cutting off the ears of innocent Moroccans between takes in the manner of Jengis Kahn? The monster comment shocks me. I thought Hollywood supported the troops.

It is however nice to see the young actor was so sensitive to the traditions and holiness of Ramadan. Still one wonders about the Moroccans whose homes were being "stormed" and exactly how bothered they were by the timing. Did they not grant their permission for pretend home storing to the movie-makers? Or perhaps Phillippe's email has it right, and he really was storming Moroccan homes. At Ramadan no less.

In which case I guess I’ll owe him an apology.

Email the article Hollywood Goes to War to a friend:

Send this article to:


Your email address:


Message (optional):


 
Contributors
Editor:
Michael Goldfarb

Contributors:
Dean Barnett
Jennifer Chou
Brian Faughnan
Ulf Gartzke
Reuben F. Johnson
Thomas Joscelyn
Stuart Koehl
John Noonan
Bill Roggio
Samantha Sault
Search
Archives
Contact
wws@weeklystandard.com
Categories
Feeds: Atom | RSS
[What is this?]
Powered by
Movable Type 3.2